The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. Artists from all over the world flocked to California to be part of the magic, and their groundbreaking styles influenced such classics as Dumbo and Bambi as well as shaped the masterpieces that followed such as Alice in Wonderland and Peter Pan. For this volume, author Didier Ghez has unearthed hundreds of enchanting images-from early sketches to polished concepts for iconic features-by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time. Copyright (c)2016 Disney Enterprises, Inc. All Rights Reserved

The sixth volume in the They Drew as They Pleased series from award-winning Disney historian Didier Ghez!

They Drew as They Pleased Volume 6: The Hidden Art of Disney's New Golden Age explores the Disney Animation Studios from the 1990s through 2010s.

This gorgeous volume is the culmination of this landmark series, profiling artists Joe Grant, Hans Bacher, Mike Gabriel, and Michael Giaimo.

• Blockbusters like The Little Mermaid, The Lion King, Beauty and the Beast, Aladdin, Frozen, and Moana captivated audiences around the globe.
• Explores how Disney navigated the dramatic shift to computer animation
• Filled with vivid descriptions, never-before-seen art, and interviews with the artists themselves

This visually rich collection offers a rare view of the artists whose collective talents exemplify Disney's storied past and visionary leap forward.

As Disney shifted to computer animation, the featured artists were part of the animation process through it all―as they had been since the studio's inception.

• Ideal for anyone looking for a unique visual history of Disney's artists, as well as unprecedented access to concept art
• Makes a wonderful gift for fans of Disney, animation, pop culture, and film history
• A visually gorgeous volume that can be displayed on the coffee table or on the shelf
• Perfect for those who loved The Illusion of Life: Disney Animation by Ollie Johnston and The Animator's Survival Kit by Richard Williams

©2020 Disney Enterprises, Inc. All Rights Reserved.

In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney's death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers. With vivid descriptions of passages from the artists' autobiographies and interviews, accompanied by never-before-seen images of their art and process, this visually rich collection offers a rare view of the Disney leg ends whose work helped shape the nature of character and story development for generations to come. Copyright (c)2019 Disney Enterprises, Inc. All Rights Reserved

As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this volume offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright (c)2015 Disney Enterprises, Inc. All rights reserved.

The 1950s and 1960s at The Walt Disney Studios marked unprecedented stylistic directions brought on by the mid-century modern and graphic sensibilities of a new wave of artists. This volume explores the contributions of these heroes with special emphasis on the art of Lee Blair, Mary Blair, Tom Oreb, John Dunn, and Walt Peregoy. It includes never-before-seen images from Cinderella, Alice in Wonderland, Peter Pan, and Sleeping Beauty and discusses Disney's first forays into television, commercials, space, and science projects-even the development of theme parks. Drawing on interviews and revealing hundreds of rediscovered images that inspired Disney's films during one of its most prolific eras, this volume captures the rich stories of the artists who brought the characters to life and helped shape the future of animation. Copyright (c)2018 Disney Enterprises, Inc. All Rights Reserved

Walt Disney always envisioned the studios that bear his name remaining relevant by consistently taking creative risks and doing the unexpected. Heading into the 1940s, he crafted an entirely new division of the studio called the Character Model Department, which focused solely on the details of character development. This latest volume from famed Disney historian Didier Ghez profiles six remarkable artists from that department, sharing uncommon and never-before-seen images of their influential work behind the scenes. With vivid descriptions and passages from the artists’ journals, this visually rich collection offers a rare view of the Disney artists whose work gave rise to many classic Disney characters, and who ultimately rewrote the future of character creation in animation. Copyright ©2017 Disney Enterprises, Inc. All Rights Reserved

Two years before Snow White and the Seven Dwarfs, four months after the release of the first Mickey Mouse short in color, The Band Concert, Walt Disney traveled to Europe and took conscience of the extent of his international fame. His wife, Lillian; his brother, Roy; and his sister-in-law, Edna went with him. They were feted by nobility, by political elites, and by the most prominent European artists, among whom H.G. Wells and Louis Lumiere. They came back with more than three hundred books, which would remain sources of inspiration at the Disney Studio for years to come. They came back with a broader view of the world. And Walt came back with ideas which would infuse his creations for decades. All in all, it was a seminal trip at the height of Disney s Golden Age. But did Walt really receive a medal from the League of Nations during his stay in Paris? Did he really meet Benito Mussolini while in Rome? Was the trip pure pleasure or did it involve much business? How were the Disney businesses structured in Europe at the time? Using as his sources Edna and Roy s diary of the trip, as well as hundreds of European newspaper and magazine articles released in 1935, Didier Ghez, for the first time, gives precise answers to those questions, analyses the roots of Disney s expansion in Europe, and lets us relive complete with dozens of never-released photographs the trip of a lifetime, Disney s Grand Tour.